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Author Topic: 超长焦下的速度与激情:张亨伟揭秘 F1 拍摄神器  (Read 49 times)

ZhangAlix

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超长焦下的速度与激情:张亨伟揭秘 F1 拍摄神器

2025-04-18
      在 F1 赛车的轰鸣声中,每一位摄影师都在用自己的镜头捕捉着速度与激情的碰撞。近日,我们有幸专访了中国新闻社记者张亨伟,他为我们分享了自己在 F1 赛车的拍摄经验,以及他对于索尼 SEL400800G 镜头的独特见解。

“怪兽级” 焦段:800mm 重塑赛场叙事
张亨伟表示,在 F1 赛车报道中,拍摄器材的选择至关重要。此次他使用的机身是 Sony A1M2 和 A7S3,镜头则是 16-35mm F2.8 GM2、24-105mm F4 G、70-200 mm F2.8 GM2、400mm F2.8GM 以及索尼 400800G。对于索尼 400800G 这只镜头,张亨伟给予了高度评价。
SONY A1M2 +SEL400800G  焦距 800 光圈 f8 快门 1/800  ISO125
作为全球赛道最广的赛事之一,F1 赛车的拍摄距离常达 300-400 米。张亨伟坦言,索尼 400800G 的 800mm 焦段搭配 A1m2 的 1.5 倍机内裁切功能,实现了 “一寸长一寸强” 的突破,无论是有限固定焦距还是变焦,800mm 的焦距无疑为拍摄清晰的赛车提供了更多的可能性。
SONY A1M2 +SEL400800G  焦距 800 光圈 f8 快门 1/2000  ISO800
例如,在皮亚斯特里首夺杆位后与车队庆祝,以及次日正赛获得冠军后的振臂高呼的瞬间,因为有了超长焦段,他选择在新闻中心阳台远距离拍摄,避开了媒体区拥挤的视角,画面背景干净且主体突出。
而拍摄颁奖环节,张亨伟会根据现场发展的形式,如汉密尔顿冲刺赛夺冠时高举奖牌的镜头,他通过灵活变焦兼顾了人物表情与动作张力,展现了变焦镜头在动态场景中的构图优势。
SONY A1M2 +SEL400800G  焦距 500 光圈 f6.3 快门 1/5000  ISO1000
尽管 400800G 镜头看起来体积庞大,但相比传统 400mm 定焦更轻便的设计,让张亨伟在三天赛程中日均 2 万步的奔走后仍能高效拍摄。他表示这对记者来说是基本素养,所以重量不是太大的问题。甚至为了获得更加稳定的画面,张亨伟还加装了一支独脚架。
AI 对焦加持:捕捉毫秒级竞技瞬间
面对时速超 300 公里的 F1 赛车,索尼 A1M2 的 AI 赛车识别对焦与 400800G 的组合表现获得张亨伟高度评价。张亨伟表示,虽然单从镜头的对焦来看,索尼 400800G 相比 400 定镜头有一点差距,但足以满足体育摄影的拍摄需求。
尤其在配合 A1M2 的 AI 赛车识别对焦功能,他对这套组合在高速移动物体拍摄的成功率比较满意。当然,在捕捉物体由远及近、正面高速推进的瞬间时,这些画面在电脑上放大看还是会有一些松,但这也是可以接受的范围。
内变焦设计
针对多变天气对器材的挑战,张亨伟特别强调 400800G 的内变焦设计优势。其密闭结构不仅防尘防雨,更避免了外变焦镜头因重心变化导致的手持失衡问题,为高强度户外拍摄提供了可靠保障。
长焦美学:距离与情感的平衡术
在谈到 400800G 解析力的表现,张亨伟表示这支镜头的解析力表现非常不错。他举例称,拍摄汉密尔顿与维斯塔潘赛后对视的画面时,800mm 焦段下维斯塔潘瞪大的眼睛以及修长睫毛的细节清晰可见,f/8 光圈下的背景虚化柔和自然,展现出镜头卓越的解析力。
SONY A1M2 +SEL400800G  焦距 720 光圈 f8 快门 1/2000  ISO500
而相比起最大光圈,很多人会忽略最小光圈的作用,为了体现赛车运动的高速与驾驶的精准,张亨伟表示在拍摄过程中会使用满门,但在户外强烈光线的照射下,一般 2.8 的镜头用 f22 最小光圈搭配 iso100,快门也只能达到 1/60s,但 400800G 的极限小光圈 f45 能让快门速度降到 1/15s、1/8s,看似光圈的劣势反而成了优势,而且更慢的快门能让赛场上醒目的广告字消失。
SONY A1M2 +SEL400800G  焦距 800 光圈 f25 快门 1/50  ISO125
SONY A1M2 +SEL400800G  焦距 800 光圈 f36 快门 1/15  ISO125
SONY A1M2 +SEL400800G  焦距 800 光圈 f36 快门 1/25  ISO125
“罗伯特·卡帕说 ‘拍得不够好,是因为离得不够近’,但超长焦让我既能保持安全距离,又能无限贴近细节。” 张亨伟以观众席中一位手持标语的女士为例,800mm 焦段不仅捕捉到人群中的独特个体,放大后甚至可清晰辨认标语文字,展现了长焦镜头在叙事深度上的潜力。
SONY A1M2 +SEL400800G  焦距 800 光圈 f8 快门 1/500  ISO1000
结语:超长焦重构赛车叙事美学
从轰鸣的赛道到沸腾的领奖台,张亨伟用技术与艺术的融合,重新定义了体育摄影的边界。在他看来,器材是延伸视角的工具,而摄影师的创造力才是赋予画面灵魂的核心。未来,他期待以更多创新尝试,在速度与光影的交织中,继续书写赛车的视觉史诗。
      
         
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Source: 超长焦下的速度与激情:张亨伟揭秘 F1 拍摄神器



 

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